Azharuddin Mohammed, the kid from the award winning movie Slumdog Millionaire is not doing great. His father welcomed the little thespian home yestuday by slapping him in the face and kicking him. The Sun has pictures of 10-year old Slumdog Millionaire actor, Azharuddin Mohammed, being beaten by his father yesterday after the boy refused to be put on display outside his family’s home in the Dharavi slum in Bandra, Mumbai. The child actor was greeted by a massive crowd sprawled onto the roads causing nasty traffic jams outside his shanty in the slums as he arrived home with loudspeakers blared ‘Ringa Ringa’ and ‘Jai Ho.’ The abuse started when Mohammed’s dad, Ismail, became enraged after he told Azharuddin he wanted to be left alone after his long flight home from LA to India and didn’t want to be put on display outside of his home. Which is a tent, no joke. The Sun report:
Azharuddin, who had been given a day off school, was tired after his long haul flight from LA and prolonged hero’s welcome amid a media scrum yesterday. And when he refused to be put on display outside his home this afternoon, his father lashed out, kicking and slapping him round the face. His mother cried out for him to stop, but Ismail continued to dish out the physical punishment to the child-star. Azharuddin stood up to his dad, flaring the temper of 45-year-old Ismail, who launched himself at the lad shamelessly. Azharuddin yelped out as he tried to evade the older man’s flailing hands and feet. He dashed into the tent that makes up his family home, followed by his father, where the young Slumdog star tried to cower in the corner. Azharuddin grabbed his face in pain and then ran off to cry. “Azharruddin’s father was upset that he was asking to be left alone because he was tired,” said one shocked onlooker. “He didn’t attend school today so that he could recover from his long flight from LA and simply wanted all the attention to stop. “However, when Azharuddin put his foot down and said that was it and there was to be no more talking, Ismail just flipped.”
Wow, last week this kid was walking down the red carpet with the biggest celebrities in the world for the greatest Hollywood event of the year, and now he’s getting beat public in broad daylight by his father in the slums of India. The people who are making millions from the movie should be feeling a bit shameful today. This kid was in a star in an Oscar winning movie and he still lives in a tent. This is so amazingly fucked up!

And here he is arriving home a few hours before his dad got medieval on his ass.
Poor kid, he should be in Hollywood trying to bang starlets! Not getting the shit kicked out of him in some slum.
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Ice Age 3-D: Dawn of the Dinosaurs
| Directed by | Carlos Saldanha |
|---|---|
| Produced by | Lori Forte John Donkin |
| Written by | Michael Berg Peter Ackerman |
| Starring | Ray Romano Queen Latifah Denis Leary John Leguizamo Seann William Scott Josh Peck |
| Music by | John Powell |
| Distributed by | 20th Century Fox IMAX Corporation |
| Release date(s) | |
| Country | USA |
| Language | English |
| Preceded by | Ice Age: The Meltdown |
[edit] Teaser
The teaser trailer was released with the film Horton Hears a Who!, and features the films’ familiar saber-toothed squirrel, Scrat. The trailer reveals that a population of dinosaurs have survived extinction, living beneath thick layers of ice in a tropical habitat, and are released when the ice thaws. The trailer first appeared on the official website in May 2008, 14 months before the film’s release in theaters.
[edit] First Trailer
The trailer (same as the teaser mentioned above) opens amidst a blizzard. Scrat is trying to get through it, when he notices his acorn. During his struggles to reach it, he is engulfed in snow and frozen. He manages to pop open his eyes, using them to lean himself toward the acorn. He successfully pulls it out, releasing warm gases from beneath the ice, which thaws Scrat. Feeling around with his foot, he discovers he has made a large hole in the ice, and falls through. After hitting a few trees, he slides down to the tip of a scaly back and tail, losing his acorn. He slides down to the tip of the tail as it rises, coming face to face with a Tyrannosaurus rex. The end of the trailer shows the Tyrannosaurus rex roaring at Scrat and cuts to the inside of the dinosaur’s mouth, where Scrat is seen, his eyes twitching before the Tyrannosaurus rex’s mouth snaps shut. This trailer was seen with the movie Horton Hears a Who!.
[edit] Second Trailer
The second trailer opens on a snowy scene as Scrat delightedly spies his acorn at the top of a nearby cliff. Scrat scrambles up a vine and then up the cliff, but once he gets to the top, the acorn is gone! He peeks from behind a tree to see, as the strains of Lou Rawls’s “You’ll Never Find Another Love Like Mine” swell in the background, an astonishing vision. Surprise and growing interest conflict within him as he regards a fetching red female saber-toothed squirrel with long fluttery eyelashes and a flirtatious manner (officially known as Scratte). Scrat gets in touch with his priorities, however, and sneaks up to the acorn, but Scratte is no fool and they both grab the acorn. Surprised, Scrat jerks the acorn away from Scratte and starts to stalk off, but stops when he hears quiet whimpering - Scratte is crying. He turns around and offers the acorn to Scratte. She takes it, but Scrat doesn’t let go. He wants her to have the acorn, but he also wants it himself.
Scratte and Scrat each start tugging at the acorn, when Scratte suddenly loses her grasp and flies off the cliff. Scrat bravely dives off of the cliff to save her! He reaches her in midair, and holds out the acorn like a life-ring. They both grasp opposite sides of the acorn and you see them from above as if they were skydivers. Suddenly, Scratte, who reveals herself to be a flying squirrel, winks slyly at poor Scrat, opens her “wings” and glides! She is holding the acorn, and poor Scratt continues to fall, bereft. He tries to stretch his skin into wings, but cannot. He falls down into the depths below instead while Scratte flits off in the distance with the acorn. Scrat falls into the chasm, a la Wile E. Coyote, with the waves from his impact forming not a ring, but a heart. This trailer was seen with the movie Bolt and with the movie Coraline.
[edit] Characters
Characters appearing in this film.
Manny voiced by Ray Romano
Sid voiced by John Leguizamo
Diego voiced by Denis Leary
Crash voiced by Seann William Scott
Eddie voiced by Josh Peck
Ellie voiced by Queen Latifah
Buck
Animal Boy voiced by Atticus Shaffer
Scrat voiced by Chris Wedge
Scratte
T-Rex (Unknown Name)
Baby Mammoth (Unknown Name)
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| Directed by | James Wong |
|---|---|
| Produced by | Stephen Chow James Wong |
| Written by | Screenplay: James Wong Ben Ramsey Manga: Akira Toriyama |
| Starring | Justin Chatwin James Marsters Jamie Chung Emmy Rossum Joon Park Eriko Tamura Randall Duk Kim Texas Battle Ernie Hudson Chow Yun-Fat |
| Music by | Brian Tyler |
| Cinematography | Robert MacLachlan |
| Editing by | Chris G. Willingham |
| Distributed by | 20th Century Fox |
| Release date(s) | Japan: March 13, 2009 United Kingdom: April 3, 2009 United States: |
| Country | United States |
| Language | English |
| Budget | $100 million+ |
Cast
Justin Chatwin as Goku: A powerful warrior who protects the Earth from an endless stream of rogues bent on dominating the universe and controlling the mystical namesakes of the film.[2]
James Marsters as Lord Piccolo: The villain of the film.[2] Marsters explained that this incarnation of the character is “thousands of years old and a very long time ago he used to be a force of good, but [he] got into a bad argument and was put into prison for 2000 years. It got him very angry, and he finds a way to escape and then tries to destroy the world.” Marsters is a fan of the television series, which he described as being “the coolest television cartoon in the last 50,000 years [because] it’s got a Shakespearean sense of good and evil.”[3] Piccolo was intended to look handsome, but Marsters and the make-up artist chose to give him a decrepit complexion, having been trapped for thousands of years. Although the make-up process tended to take four hours, the first time it took seventeen hours to apply, and Marsters had difficulty breathing.[4] Ron Perlman was offered the role of Piccolo, but turned it down to work on Hellboy II: The Golden Army.[5]
Jamie Chung as Chi Chi: Goku’s love interest.[6] Stephen Chow had been interested in casting Zhang Yuqi, whom he worked with on CJ7, in the part.[7]
Emmy Rossum as Bulma: She aids Goku after her father’s Dragonball is stolen by Piccolo.[8]
Chow Yun-Fat as Master Roshi: Goku’s mentor.[9]
Joon Park as Yamcha: A desert bandit that aids Goku and Bulma on their quest.[10] James Kyson Lee auditioned for the role.[11]
Eriko Tamura as Mai: She is a chief enforcer of Piccolo’s and a shapeshifter.[10][12]
Texas Battle as Carey Fuller: A high school bully. He is an original character created for the film.
Luis Arrieta as Weaver: A classmate and friend of Goku. He is an original character created for the film.[13][unreliable source?]
Randall Duk Kim as Grandpa Gohan: The adoptive father and grandfather of Goku who teaches Goku everything he knows about martial arts.
Ernie Hudson as Master Mutaito: Master Roshi’s former sensei and the one who sealed Lord Piccolo away for centuries.
Shavon Kirksey as Emi: A high school friend of Chi Chi. She is an original character created for the film.
Development
In March 2002, 20th Century Fox acquired feature film rights to the Dragon Ball franchise.[14] In June 2004, Ben Ramsey, who wrote The Big Hit, was paid $500,000 to adapt Dragonball Z.[15] In 2007, James Wong and Stephen Chow were announced as director and producer respectively, and the project was retitled Dragonball Evolution. Wong rewrote the script.[2] The first full color image of Justin Chatwin as Goku was released in the 24th issue of Weekly Young Jump.[16] Chow was a Dragon Ball fan, citing its “airy and unstrained story [which] leaves much room for creation”, but explained he would only serve as producer because he believes that he should only direct stories he had created.[7] 87Eleven, the stunt performance company that worked on The Matrix and 300, is working on the film.[2] Ariel Shaw, who worked on Wong’s entries in the Final Destination series and 300, is visual effects supervisor.[17] Robert MacLachlan, who also worked on Wong’s Final Destination films, serves as cinematographer.[18] The film was originally slated to be named Dragonball, however on December 10, 2008, a trailer was released using the name Dragonball Evolution and Fox licensed the domain name “DragonballEvolutionMovie.com” indicating the film had been renamed.[19][20][21]
Filming
Shooting began on December 3, 2007,[22] in Mexico City, Mexico. Locations included the Universidad Tecnológica de México.[23] From January 2, 2008,[23] the crew shot at Durango. The crew moved to Estado de México in March of that year for some shots at Nevado de Toluca.[17] Shooting has also been scheduled at Los Angeles, California.[9] In adapting the Dragon Ball manga, the futuristic cities and flying vehicles were kept, however, the anthropomorphic creatures and talking animals (such as Turtle, Oolong and Puar) were dropped.[24] Many of the locations are very Oriental,[25] and there will be some Aztec influence too, particularly from their temples.[26] It was thought that Rossum would wear a blue wig to resemble her anime counterpart, but due to some promotional images, it was turned out that she would not be wearing a blue wig. Instead she will have her natural brown with a blue streak down the middle of her hair. Chatwin will not wear a wig as the director felt Chatwin’s hair resembled Goku’s.[25] A large amount of Dragonball Evolution was shot in an abandoned jeans factory, also located in Durango, Mexico.[27]
Dragonball Evolution special effects are being done by Amalgamated Dynamics, while the visual effects are being done by Ollin Studios, Zoic Studios, and Imagine Engine. The film will also have the anime style of fighting in Dragon Ball Z, such as chi energy blasts and auras.
Music
On December 9, 2008, it was confirmed that the theme song will be “Rule” by Japanese singer Ayumi Hamasaki. The choice was because director James Wong wanted the movie adaptation of a manga/anime born in Japan to be sung by a Japanese person and was particularly impressed with Hamasaki. “Rule” will be used as the theme song for every country’s release.[28] The score to Dragonball Evolution was composed by Brian Tyler, who recorded his score with an 82-piece ensemble of the Hollywood Studio Symphony at the Newman Scoring Stage at 20th Century Fox.[29]
Release
Dragonball Evolution was initially scheduled to be released in North America on August 15, 2008, then moved to April 10, 2009, to allow time to do additional filming and post-production work. On November 11, 2008, it was formally announced that the film’s release had been changed to April 8, 2009.[30]
Though an American film, Dragonball Evolution will be released in Japan on March 13, 2009, nearly a month before its American release.[31][32] It will be released in the United Kingdom on April 3, 2009.[33]
Merchandise
A film novelization written by Stacia Deutsch and Rhody Cohon, Dragonball: The Junior Novel, has been solicited by Viz with a February 2009 release date.[34] A 16 paged sticker book based on the film is being published by Viz on February 3, 2009.[35]
On January 19, 2009, Namco Bandai Games and 20th Century Fox announced that a PSP video game based around the film would be released in Japan in March 2009, with a North American release to follow in April. The game will include all of the major characters from the film and feature various playing modes, including an arcade mode for one-on-one combat, a story mode in which players get to play as Goku through the events of the film, a mission mode where players attempt to complete specific tasks, and a training mode for practicing fighting moves. It will also offer an on-line battle mode.
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Transformers:Revenge of the Fallen
| Directed by | Michael Bay |
|---|---|
| Produced by | Steven Spielberg (executive) Lorenzo di Bonaventura Tom DeSanto Don Murphy |
| Written by | Roberto Orci Alex Kurtzman Ehren Kruger |
| Starring | Shia LaBeouf Megan Fox Josh Duhamel Tyrese Gibson John Turturro Voices: Peter Cullen Mark Ryan |
| Music by | Steve Jablonsky[1] |
| Cinematography | Ben Seresin |
| Editing by | Roger Barton |
| Distributed by | DreamWorks Paramount Pictures |
| Release date(s) | June 24, 2009 (2009-06-24) |
| Country | United States |
| Language | English |
| Budget | $200 million |
| Preceded by | Transformers |
[edit] Development
In September 2007, Paramount announced a late June 2009 release date for the sequel to Transformers,[5] and Bay began creating animatics of action sequences featuring characters rejected for the first film. This would allow animators to complete sequences if the Directors Guild of America went on strike in July 2008 (which did not happen as the DGA signed a new deal).[6][7] The director considered making a small project in between Transformers and its sequel, but knew “you have your baby and you don’t want someone else to take it”.[8] The film was given a $200 million budget, which was $50 million more than the first film,[4] and some of the action scenes rejected for the original were written into the sequel.[9] Lorenzo di Bonaventura said the studio proposed filming two sequels simultaneously, but he and Bay concurred that was not the right direction for the series.[10]
Writers Roberto Orci and Alex Kurtzman originally passed on the sequel because of a busy schedule. The studio began courting other writers in May 2007, but as they were unimpressed with their pitches, they convinced Orci and Kurtzman to return.[6] The studio also signed on Ehren Kruger, as he impressed Bay and Hasbro president Brian Goldner with his knowledge of the Transformers mythology,[11] and because he was friends with Orci and Kurtzman.[12] The writing trio were paid $8 million.[6] Screenwriting was interrupted by the 2007–2008 Writers Guild of America strike, but to avoid production delays the writers spent two weeks writing a treatment, which they handed in the night before the strike began,[12] and Bay expanded the outline into a sixty-page scriptment,[13] fleshing out the action and adding more jokes.[12] The three writers spent four months finishing the screenplay while “locked” in two hotel rooms by Bay.[14]
Orci described the film’s theme as “being away from home”, with the Autobots contemplating living on Earth as they cannot restore Cybertron, while Sam goes to college.[15] He wanted the focus between the robots and humans “much more evenly balanced”,[16] “the stakes [to] be higher”, and more focused on the science fiction elements. Orci added he wanted to “modulate” the humor more,[17] and felt he managed the more “outrageous” jokes by balancing it with a more serious plot approach to the Transformers’ mythology.[18] Bay concurred that he wanted to please fans by making the tone darker,[19] and that “moms will think its safe enough to bring the kids back out to the movies” despite his trademark sense of humor.[10] Kurtzman created the film’s title.[20]
[edit] Filming
Filming began in Los Angeles, California in May 2008.[21] From June 2,[13] three days were spent on an action sequence at the Bethlehem Steel site in Bethlehem, Pennsylvania, which was used to represent a portion of Shanghai.[22] Afterwards, they shot at the Steven F. Udvar-Hazy Center.[23] The crew moved to Philadelphia on June 9, where they shot at the Exelon plants in Delaware; the University of Pennsylvania; the Eastern State Penitentiary; Fairmount Park; Rittenhouse Square (which represents Paris); and Wanamaker’s.[24][25][26] They moved to Princeton University on June 22.[27] Filming there angered some students at the University of Pennsylvania, believing Bay had chosen to reshoot scenes at Princeton, the school’s historical rival, and script Princeton’s name in the movie. However, neither the University of Pennsylvania nor Princeton gave Bay permission to be named in the film because of a “funny ‘mom’ scene” that both felt “did not represent the school”.[28]
Three days of filming were spent in EgyptBay scheduled a break for filming beginning on June 30, turning his attention to animation and second unit scenes because of the potential 2008 Screen Actors Guild strike.[29] Orci joked “Optimus and company are also the stars, and fortunately for us, they are not part of a union!”[30] Shooting for the Shanghainese battle later continued in Long Beach, California.[31] The crew shot at Holloman Air Force Base and White Sands Missile Range in New Mexico during September. The two locations were used for Qatar in the first film, and stood in for Egypt in this film.[32] A scale model in Los Angeles was also used for some close-ups of the pyramids.[4]
Shooting at Tucson International Airport and the 309th Aerospace Maintenance and Regeneration Group’s aircraft boneyard took place in October under the fake working title Prime Directive (a reference to Star Trek).[33] This location was delayed from July.[34] The first unit (including Shia LaBeouf) then shot for three days in Egypt itself, at the Giza pyramid complex and Luxor. For security’s sake, the shoot was highly secretive: but according to Lorenzo di Bonaventura, a crew of 150 Americans and “several dozen local Egyptians” ensured a “remarkably smooth” shoot.[35] Bay earned the Egyptian government’s approval to film at the pyramids by contacting Zahi Hawass, a fan of the first film, who made the director swear not to damage the buildings.[19] A fifty foot tall camera crane was used at the location.[4] Four days were then spent in Jordan, where the Royal Jordanian Air Force aided in filming at Petra, Wadi Rum and Salt.[36] Filming continued at the Place de la Concorde in Paris, with the second unit taking shots of the Eiffel Tower and the Arc de Triomphe.[37] The cast and crew finished on the aircraft carrier USS John C. Stennis on November 2, 2008.[38]
[edit] Effects
Starscream confronts Sam. On his audio commentary for the first film, Michael Bay said he wanted more close-ups of robots for the sequelThe producers expected that with a bigger budget and the special effects worked out, the Transformers would have a larger role. Peter Cullen recalled, “Don Murphy mentioned to me, ‘Only because of the tremendous expense to animate Optimus Prime, he’ll be in just a certain amount of [the first film].’ But he said, ‘Next time, if the movie is a success, you’re gonna be in it a ton.’”[39] The director hoped to include more close-ups of the robots’ faces.[40] Scott Farrar returned as visual effects supervisor, and anticipated moodier use of lighting as well as deeper roles for the Decepticons. He stated that with the bigger deadline, post-production will be a “circus”.[41] Hasbro became more involved in the designs of the robots than in the first film.[17] They insisted on keeping the alternate modes of some of the returning characters similar, so people would not have to buy toys of the same characters.[42]
Bay utilized real F-16 Fighting Falcon and tank fire when filming the battles.[10]
[edit] Cast and characters
[edit] Humans
Shia LaBeouf plays Sam Witwicky, the teenager who killed Megatron. He attends an East Coast college to learn astronomy.[43] On July 27, 2008, LaBeouf was involved in a car crash and had to undergo hand surgery. The character getting burned in the story was an unrelated decision.[44] LaBeouf said production was only delayed by two days after his accident because Bay made up for it by filming second unit scenes, and he recovered from the accident a few weeks earlier than expected, allowing him to return to the set.[45] Bay had suggested the hand injury will be written into the story,[46] but Orci said on-set rewrites were done to protect his hand for the remainder of the shoot.[47] Towards the end of filming though, LaBeouf injured his eye when he hit a prop, which required seven stitches. He resumed filming two hours later.[48]
Megan Fox plays Mikaela Banes, Sam’s girlfriend, who cannot afford to attend college with him.[43] Fox had lost a lot of weight for her role in Jennifer’s Body, and had to gain ten pounds within three weeks. She explained “Michael doesn’t like skinny girls.”[49]
Josh Duhamel plays Captain William Lennox, an ally of the Autobots.[21] Since the first film Lennox has become part of an international taskforce battling Decepticons with the Autobots.[50]
Tyrese Gibson plays Robert Epps, an ally of the Autobots and member of Lennox’s team.[21] He has been promoted to the rank of Master Sergeant.[32]
John Turturro plays Reggie Simmons, former agent of the terminated Sector 7 unit, which monitored Transformer activity on Earth.[21] Turturro was allowed to climb the real pyramids during filming.[4]
Matthew Marsden plays Graham, a member of the United Kingdom Special Forces who joins Lennox’s team. Marsden grew up reading the comics and loved the first film. Bay was impressed with his audition and decided to increase the character’s screentime.[50]
Ramon Rodriguez plays Leo Spitz, a new character who accompanies Sam and Mikaela all the way to Egypt.[51][4]
Steve Tom has a “principal” role, according to his website.[52]
Kevin Dunn and Julie White play Ron and Judy Witwicky, Sam’s parents. Orci wrote, “Love them! Gotta have them back.”[53] He confirmed they learned the truth about the Transformers while off-screen in the last film.[54]
Rainn Wilson cameos as a university professor,[21] while Kym Whitley has an unnamed part.[55] Bay wanted Amaury Nolasco to return as soldier Jorge Figueroa, who was wounded by Scorponok in the first film, but Nolasco was not able to participate due to schedule conflicts (he may appear in a third film).[56]
[edit] Autobots
Peter Cullen voices Autobot leader Optimus Prime.[57] He retains his alternate mode of a blue Peterbilt truck with red flame decals. Cullen recorded a voiceover for the opening scene in August 2008, but began the majority of voice work in November.[58][59] A live action cameo has been written for Cullen.[60]
Mark Ryan voices Bumblebee, the Autobot who befriended Sam and disguised himself as his fifth-generation Chevrolet Camaro. Ryan also continues his role as stand-in for the robots on set.[61]
Ironhide, the Autobot weapons specialist who transforms into a GMC Topkick. Jess Harnell voiced him in the first film.
Ratchet, the Autobot medic who transforms into a search and rescue Hummer H2. Robert Foxworth voiced him in the first film.
Arcee, an Autobot with a feminine personality and appearance, who can separate into three motorcycles with their own robot forms.[51] Arcee was dropped from the first film as the writers felt there was not enough time to explain her “gender”, but she and several other female Transformers appeared in the first film’s toy line and tie-in comics.[62] Orci stated the issue of gender could just be ignored in the film.[63]
Mudflap and Skids, respectively a red Chevrolet Trax and green Chevrolet Beat.[64] Mudflap is very hyperactive, while Skids believes himself to be the smarter of the two and tries to come across as mature, but nevertheless appears unable to keep quiet.[65] According to leaked daily call sheets Michael Bay claimed he faked,[66] they begin the film by combining into an ice cream van.[67] Skids was mentioned by the other Autobots in the Transformers: The Reign of Starscream movie sequel comics.
Sideswipe, a silver Chevrolet Corvette Stingray Concept.[64]
Jolt, a blue Chevrolet Volt.[64] Jolt was a last-minute addition to the cast after General Motors, the film’s car supplier, wanted to promote the Volt.[68] The writers had already wanted to include the car in the script before the Writers Guild strike, so they had to work out a character that would fit well within the Autobot team afterwards and convince Bay to approve the addition.[69] Hasbro previously used the name Jolt for a Decepticon in the first film’s toy line.
Jetfire, an SR-71 Blackbird. He was a Decepticon, but his wounds and age have made him choose to ally with Optimus.[2] He can combine with Optimus, an idea previously seen in the Transformers: Armada series.[70]
Wheelie, a small radio-controlled truck. Wheelie initially serves the Decepticons because he is frightened of them.[71]
[edit] Decepticons
Megatron, the Decepticon leader. Killed and thrown into the Laurentian Abyss, he is resurrected as a Cybertronian tank.[72][73] He was voiced by Hugo Weaving in the first film. Bay told Empire that Megatron was not in the film, claiming his tank form was just a new toy.[4]
Starscream the air commander which transforms into an F-22 Raptor. He flew into space at the end of the previous film, and now returns bearing Cybertronian symbols on his body and commanding a new Decepticon army.[74] Orci confirmed he will have more dialogue.[17] Charlie Adler voiced Starscream in the previous film. Chris Mowry, writer of the comic book prequels, stated Starscream differs from his 1980s incarnation because “His motivations are more for the species. He’s definitely at odds with what Prime and Megatron have been doing. He thinks that they’ve both been consumed with greed, for their own selfish reasons, but as he finds out, his plans start to fall through as he’s kind of becoming overwhelmed with the same greed that they had.”[75] However, Orci explained that during post-production, dialogue additions edged Starscream closer towards his 1980s counterpart.[76]
Soundwave, Megatron’s communications expert and his most loyal soldier.[2] He transforms into Cybertronian craft with jet and satellite capabilities.[74] The concept artists also designed an Earth form of a Chevrolet Silverado for him to upgrade into, which Orci stated was dropped.[77] In the 1980s toyline, Soundwave was a tape deck. The filmmakers had tried to work him into the first film twice, and these roles eventually evolved into Blackout (a MH-53 Pave Low helicopter) and Frenzy (who changed into a CD Player and later into a mobile phone). The latter character was particularly thought to be too different from the original.[78][79] Soundwave made his first appearance in the Transformers: Alliance prequel comic book series arriving on Mars then sending a large number of Decepticon protoform troops to Earth.[80]
Ravage, a minion of Soundwave that resembles a one-eyed cat.[51]
A puppet, with a body resembling Frenzy, a cat like face, dreadlocks, and a bird-like beak, was spotted on set.[81]
Barricade, a Saleen S281 police car.[54] Jess Harnell voiced him in the first film.
Scorponok, Blackout’s former partner who resembles a car-sized mechanical scorpion. In the first film he burrowed into the ground after being defeated by the military in Qatar, and lost his tail. His tail is restored in the film.[51]
Sideways, an Audi R8.[51]
Alice, a Pretender played by Isabel Lucas, who stalks Sam.[82][18]
The Constructicons / Devastator, a 100 to 120 feet tall warrior formed by several combining construction vehicles.[83] The name Devastator was mistakenly given to Brawl, a tank, in the first film. The name Bonecrusher, who was one of the Constructicons in the 1980s and Transformers: Universe, was also used for a Decepticon killed in the first film. However, Orci stated during writing that neither character will be resurrected.[84] The original Constructicon names Scrapper and Mixmaster appeared as drone units in the Transformers movie video game.
Demolishor,[74] the Terex O&K RH 400 Hydraulic Mining Excavator seen in the first trailer.[85] He forms Devastator’s torso.[86]
Long Haul,[87] a green Caterpillar 773B dump truck, which forms the right leg.[86] Long Haul’s individual robot mode was designed by freelance artist Josh Nizzi as fan art of the original character. The fan art impressed Bay enough to hire him on to the film.[88]
Rampage,[87] a Caterpillar D9 bulldozer who forms the left leg.[86]
Scrapper,[74] a Caterpillar 992G scoop loader who forms the right arm.[86]
Hightower,[87] transforms into a yellow Kobelco CK2500 Truss Crane and forms the left arm.[86]
Mixmaster,[87] who transforms into a black and silver Mack concrete mixer. He forms the head.[86]
The Fallen. One of the original thirteen Transformers, the robot known as the Fallen is the one who divided the Transformers. Lorenzo di Bonaventura compared him to Judas Iscariot.[83] He transforms into a Cybertronian aircraft.[89] The toy bears the Decepticon insignia on its abdomen.[90]
Orci hinted the majority of the Decepticons were entirely computer-generated in both robot and alternate modes, which would make it easier to write additional scenes for them in post-production.[84] Lorenzo di Bonaventura said that in total, there are around forty robots in the film.[4] There will be some robots who can transform into weapons,[91] and there are some resembling Insecticons.[51]
[edit] Release and marketing
Transformers: Revenge of the Fallen will be released in regular and IMAX theaters on June 24, 2009.[92] Three of the action sequences were shot with IMAX cameras.[19] Orci mentioned in an August 2008 posting that the IMAX footage would be 3D,[93] although when IMAX officially announced the use of their technology on the project, no mention was made of 3D.[94]
Hasbro’s Revenge of the Fallen toy line will include new molds of new and returning characters, as well as 2007 figures with new mold elements or new paint schemes.[74] The first wave will be released on May 30, although Bumblebee and Soundwave will debut beforehand.[83] The second wave is due in August 2009, which introduces toys such as 2 1/4-inch human action figures that fit inside the transforming robots, and non-transforming replicas of the cars which can be used on a race track. The combining Devastator toy will not come out until August.[95] Luxoflux is developing a video game based on the film, which Activision will publish.[96] Product placement partners on the film include Burger King,[97] Wal-Mart, YouTube, Nike, Inc. and M&M’s.[98][99] Kyle Busch will drive a Revenge of the Fallen/M&M’s decoed car at Infineon Raceway on June 21, 2009.[100]
Chris Mowry and artist Alex Milne, who collaborated on The Reign of Starscream comic book, will reunite for IDW Publishing’s prequel to the film. Originally set to be a five part series entitled Destiny,[75] it was split into two simultaneously published series, Alliance and Defiance. Alliance is drawn by Milne and began in December 2008: it focuses on the human and Autobot perspectives. Defiance, which started the following month, is drawn by Dan Khanna and is set before either film, showing Megatron’s fall to the dark side when he discovers an artifact with what will become the Decepticon symbol on it.[101][102][103] Simon Furman is writing the comic book adaptation of the film,[104] while Alan Dean Foster is writing the novelization.[105] Foster is also writing The Veiled Threat, bridging both films,[106] which was originally entitled Infiltration. Foster collaborated with IDW to make sure his novels did not contradict their stories.[107]
During production, Bay attempted to create a misinformation campaign to increase debate over what Transformers would be appearing in the film, as well as to try to throw fans off from the story of the film. However, Orci confessed it had generally not been working.[108] The studio went as far as to censor MTV and Comic Book Resources interviews with Mowry and Furman, who confirmed Arcee and The Fallen would be in the picture.[109] General Motors stated the Chevrolet Volt was a product placement cameo, not an Autobot.[110] Hasbro asked fansites to remove descriptions of toys shown at the UK Toy Fair,[82] while Activision requested they delete images of the Trax and Beat’s robot modes revealed earlier on their official site than intended.[111]
[edit] Sequel
Bay said he would like to take a year long break before beginning work on a third Transformers, but this depends on how successful the second film is.[19] Orci has mentioned he would like to introduce Unicron in a third film “for scale’s sake”.[68] The co-writer also said introducing Triple Changers would be interesting.[112]
Before Transformers was released, producer Tom DeSanto had “a very cool idea” to introduce the Dinobots,[113] while Bay was interested in an aircraft carrier, which was dropped from the first film.[114] Orci claimed they did not incorporate these characters into Revenge of the Fallen because they could not think of a way to justify the Dinobots’ choice of form,[15] and were unable to fit in the aircraft carrier.[108] Orci also admitted he was also dismissive of the Dinobots, but he became fonder of them during filming because of their popularity with fans.[115]
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MoviesOnline sat down with British actor Daniel Craig to talk about his new film, “Quantum of Solace,” directed by Mark Forster. Hailed as one of the finest actors of his generation on stage, screen and television, Craig returns to the role of the legendary 007 Agent James Bond following his highly acclaimed debut in Casino Royale, the highest grossing film in the history of the 007 franchise.
Quantum of Solace continues the adventures of James Bond (Craig) in Casino Royale. Betrayed by Vesper, the woman he loved, 007 fights the urge to make his latest mission personal. Pursuing his determination to uncover the truth, Bond and M (Judi Dench) interrogate Mr. White (Jesper Christensen) who reveals the organization which blackmailed Vesper is far more complex and dangerous than anyone had imagined.
Forensic intelligence links an MI6 traitor to a bank account in Haiti where a case of mistaken identity introduces Bond to the beautiful but feisty Camille (Olga Kurylenko), a woman who has her own vendetta. Camille leads Bond straight to Dominic Greene (Mathieu Amalric), a ruthless businessman and major force within the mysterious organization.
In a minefield of treachery, murder and deceit, Bond allies with old friends in a battle to uncover the truth. As he gets closer to finding the man responsible for the betrayal of Vesper, 007 must keep one step ahead of the CIA, the terrorists and even M, to unravel Greene’s sinister plan and stop ‘Quantum’.
Daniel Craig is a fabulous guy with a wonderful sense of humor. Impeccably dressed in a stylish black suit, he surprises us when he enters the room with his right arm in a matching sling. Here’s what he had to say about his high octane adventures as the legendary James Bond:
Q: I like that it’s a black sling, color-coordinated.
Daniel: Well, I had to try. I try to be color-coordinated with all my clothes. What can you do?
Q. So can I ask what happened?
Daniel: No! (laughs) I’ve had a tear in the shoulder, and I think two Bond movies have just aggravated it and during this one, it started aching really badly halfway through. You know, there was a potential actors’ strike, so we had a deadline. If we didn’t finish, we were screwed, so I went to see a surgeon and he just said, “Fine, you might damage it more but you’ll be fine and come and see me when you’ve had a rest.” So six weeks ago I had surgery at Johns Hopkins in Baltimore and I’m well on the way. I’ve just got to keep it in this (sling) for awhile.
Q. Is Bond chipping away at you piece by piece?
Daniel: No. (laughs)
Q. In this film there seems to be a lot more things to identify you as doing the stunts yourself. Did you feel you did a lot more physically in this?
Daniel: You know, we did, we learned a huge amount when we did Casino Royale, certainly I did, and the stunt team that I worked with did, about how much I can do and what’s the limit. I think we’re getting better, at just, you know, making it look like it’s me. And the guys I work with, I’ve got four or five guys who work really closely with me, who have got incredible skills, fighting skills, gymnasts, acrobats. And luckily, they’re all kind of quite similar to me, and we just… I try to get as fit as they are, because they’re seriously fit, and then, you know, I get my face in there and if I can get my face in there in that key moment, and not sort of pull the audience out, that’s all I want. I don’t want the audience to be watching an action sequence and then suddenly to go, “Oh, it’s not him.” And there are moments, if you play it really slowly, you’ll be able to find it, but hopefully they’re few and far between.
Q. The stunts in this seemed even more dangerous than in Casino Royale, especially all the fire at the end. Was there anything that scared you?
Daniel: No, no, not scared, I mean, trepidation but genuinely it’s about getting it right because I only want to do it once. And so if you’re standing on a roof and you’re going to jump over, I’m like, “I don’t want to do this more than once if I can help it.” So, that’s all you’ve got going through your head. I mean, there were moments where suddenly we were…because we rehearsed it… so with the fire sequence, we went to a fire testing facility, and we basically went in there with fire suits on and got as close as we could just to sort of get us used to the heat. And then you’re covered in this flame retardant which is like gel, which is just plastered all over your body. At some point I had plastic hands on because I’m smashing through all sort of things, and there’s guys with fire extinguishers. You hope for the best. (laughs) No, I mean, there’s more to it than that. We would plot it out really, really carefully, and all I cared about when we go for the takes is that we’re not doing, you know, the jumping out of windows is actually, I didn’t want to do that more than once, but after the third time, it’s actually getting quite fun, so (laughs), in a sick way that that happens.
Q. I assume you saw Bond films when you were young. When you became Bond, did you think there’s something about this I want to preserve or something about it that should change?
Daniel: Not when I was a child. Mark (Forster) and I had a long conversation when we came to do this, many long conversations, which we’re still doing. We’re big fans of the early Bonds, but also the movies that they spawned in the 60s, because they had a direct effect on movies all over. One of the biggest things that the early Bond movies did was go on location and that was unusual at the time. I mean if it was Hollywood movies, they were shot in the backlot, and they were created sets and beautifully done, but Bond went, he went to Japan, he was in Japan, and that’s what we wanted to make sure happened in this movie, the feel, that you were transported to these places. And plus, trying to add some of the style that they developed back then and trying to get some of that back into the movies and the feel because the mood of them is, they’re stylized, I mean, even though there’s reality in this and everybody will be saying, oh it’s grittier and harder, I think it’s a very stylized Bond and I like the fact that it has a look back to that.
Q. I’m imagining that you are going to have a little more pull perhaps with the next Bond film, is there a certain place in the world that you want to go to that you haven’t been, that you can work into the Bond franchise?
Daniel: A beach (laughs), for about an hour and 20 minutes in the movie, and then about ten minutes of action. That would really, really thrill me. (laughs) There’s a look out and explosions could be happening everywhere, occasionally sipping my cocktail. (laughs)
Q. There are so many amazing places on the planet, is there a place in the world that you would love to…?
Daniel: I mean, the problem always is because travel is so much easier than it has been, there are fewer places to go that people haven’t been. What we tried to achieve in this is that we went to places which are unusual to visit and then sort of double like Colon and Panama would double for Haiti and for lots of South America. It’s to try and photograph them in the best way you can, and I don’t know, there’s plenty. I can think of ten places I’d like to go, personally. Ten places to film a Bond movie, that’s a different thing, because the logistics of that are so great, but anywhere, you know, anywhere, as long as it’s anywhere. If we were in Africa, it would be great. Asia would be wonderful. I’d love to go to China, or Hong Kong. That would be somewhere fantastic.
Q. You talked before about how this movie’s a book end to the first movie, but the first BBC review that came out said it felt more like a second in a trilogy. Is it possible that the themes of these first two movies will carry on to the third one, or do you think the third one will be something completely different?
Daniel: Personally I think that we’ve wrapped up all the loose ends that I wanted to wrap up, which is just the Vespa story and also solidifying the relationships, which is so important, with Felix and with M, and sort of where their place in the world is. I think we’ve got a very kind of stable Bond world now that we can just do whatever the hell we want, and that I find exciting. To my mind, there’s no trilogy because we’ve got to do something different now. I mean we hit a submarine base. Let’s be honest. (laughs) Maybe a small one, you know what I mean? But now we need to explore, you know, there’s Moneypenny, there’s Q, there’s all the other characters that we could conceivably bring in. My instinct has always been with those sort of things, and people have asked and said, “Well why is there no Q? Why is there no Moneypenny?” I’m like, because you need to give them to good actors, and you can’t get a good actor and say, “Remember how Moneypenny was played? Can you do that?” I think they’d go, “God, no, I want to reinvent this character.” And so that’s what I’d love if we get a chance to make another one of these movies and who knows whatever happens and that’s where I’d like to go with it. I’d like to sort of hand it on to some people with talent, that’s all.
Q. How did you like working with Mark Forster?
Daniel: It was fun, it was great. I’m a fan of his, I’ve always been a fan of his, and the idea, when he came up, when he was asked to do it, and I said, I’ve got absolutely no problem with that, because he’s a fantastic storyteller, so.
Q. How was it different from the last Bond film?
Daniel: He’s a lover of films, he’s a cinefile through and through, and you look at how complex his films are but how different his films are, and to me, that sort of strikes me as a very brave person who can sort of say, you know what, I’m not going to stick with it, you know, I’m going to take subject matters completely at either ends of the spectrum. And when he came to do this I met him and within five minutes, because one of the things I knew having done one, is, this is twice the length of any other movie. It’s three months to normally shoot one movie, I mean a movie of fairly regular size, this is six months, I mean it’s six months on every location, and as soon as I met him, I knew he was a brave man and that he was up for doing it, and so I’ve had a great time with him.
Q. A personal question, when somebody hurts you, can you let it go? Bond cannot let it go, can you?
Daniel: He can, I think he can. I think actually, because the mistake in this movie is that he’s on a vendetta, he’s not. I kind of keep this whole thing about the title, Quantum of Solace, it’s actually what he’s looking for, it’s all he’s looking for. He just does his job. He’s not out to take revenge. He might be a little angrier than he was in the first one (laughs), but I mean that’s kind of, you know, that’s the actual point. The point at the end is he gets the chance to do the guy, the one guy who’s actually the person that’s responsible, not the bosses, not anyone, the actual guy that twisted the love of his life. And he says no.
Q. I just mean, do you have to get even?
Daniel: No. I don’t believe in it, if I can help it, I don’t believe in it.
Q. Did you go into this one with more confidence, because obviously with the first one, you know, all the eyes of the world were on you…
Daniel: Kind of. (laughs) Sorry, go on.
Q. …I know you said back when you were doing press for the first film that you blocked all that out when you went to work, but there’s obviously going to be some pressure. The fact that the first one was a success, were you able to start this one with more confidence, and not worry about…
Daniel: I wasn’t, I mean, this is going to sound with hindsight like I’m just making this up, but I got over that a long time ago. All of that sort of pressure of doing it was something that happened in the Bahamas about three weeks into the shooting of Casino Royale. We had a good film, I mean we had a good crew, we had good actors, we had a good director, it’s like, there’s nothing else we can do to make this a better situation, so all the pressure that was on, I’d put to bed, just completely put to bed. By the time we’d got to the premiere in London, people were going, don’t you feel vindicated now, and I’m like, I don’t feel anything. (laughs) I feel like we’ve got a great movie. I have no reason to turn around. I never wanted to get into a dialogue about it. So, come to this one, all the same pressures were there, but in a very, very different way. I mean we’re on the back of success, which is, I mean thank goodness. We could have been on the back of a dud which would have just been (laughter) I can’t imagine. So obviously there’s different pressures but there always is. It’s a 200 million dollar movie, I don’t know how you could do that without thinking there’s a little bit of pressure.
Q. Could you talk about the first time they gave you the script? How did they present it to you? Did somebody deliver it to you and what was your reaction the first time you read it? Were you a super fan?
Daniel: You’re talking about the script?
Q. Yeah.
Daniel: Was I a superfan? (laughs) No, I mean, it’s always, it’s a much longer process than that because the whole thing, it took about, I mean I’ve been working on this for nearly two years now, and so the ideas that we were putting together and the ideas we were putting toward for Paul (Haggis) and the whole thing were coming back and forth, so no one ever presented me with ahhhhh (laughs). I mean it was like I got drafts and I read drafts and we read ideas and we looked at things and it’s kind of a continual process. It was not like that with the first one. That was really a kind of, you know, security guards and trying to…no, I’m joking… (laughs), but metaphorically speaking, it was like that, yeah.
Q. So, for you, this was a much more collaborative process?
Daniel: Yeah, very much, yeah.
Q. When you’re on set with a film like this, is there a lot of room for any sort of improvisation, or is it really a very structured environment?
Daniel: There’s a lot of improv. There’s a lot of improv. I mean it’s like, I mean obviously, the jumps are not improvised (laughs), “I’ll go this way,” you know, “Aahhhh!” (laughter) That would really screw things up, but there’s stuff, you know, there’s takes and you change lines and I mean, I’m not Robert DeNiro, believe me. I don’t kind of go on and on, you know, take after take, but I do do three or four takes and change the lines around and sort of just screw around with it as much as I possibly can. Just to loosen it up, you know?
Q. How was Mark with coverage? Was he a one camera guy or did he have a lot of cameras and a lot of stuff?
Daniel: He likes sticking very classically with one camera, but we’d bring two cameras in, if we could fit it in. You know there’s always the thing with two cameras, if you’re shooting quickly and you’re trying to shoot quickly, is that there’s a thing about pushing yourself around the room and the camera kind of starts getting in the eye lines or something if you stick two cameras in, but with dialogue sequences, it’s good to shoot it like that sometimes because then you’ll get both, you’ll get a very continual flow. But, it’s not that strict. I mean, I don’t know a director that is, that sticks with one camera, unless there’s a financial issue involved.
Q. How was it working with Olga?
Daniel: She’s great, I mean, you know, we kind of cast her as a… I was involved with the casting process, and she came in and she just had this sort of quiet kind of, I don’t know, toughness about her and also something going on, you know, this sort of like secret that she’s carrying with her, and you know, she was kind of thrust into this, and we started training and we started sort of getting into it, and sometimes I’m going, this is kind of what it’s like (laughter), and she just did a great job and I think that her story kind of ties in so nicely with it and no they don’t, they don’t get into bed, but they kiss you know. (laughter)
Q. This is an incredible role, but it’s also very all consuming because it takes so much of your time now, are you able to do other things that you really want to do?
Daniel: I’ve done three movies since I did the last one, a little movie called Flashbacks that came out a couple of days ago, kind of very quietly because it’s a small movie and then Defiance which is coming out at the end of the year, so I’m just looking at scripts, I mean you know, good scripts are hard to find, you have to go looking for them, so I’ll keep doing that if I can.
Q. Have you ever worked with Judy Dench before in London?
Daniel: No…
Q. What is your relationship like working with her?
Daniel: It’s good. It’s very good, I mean it’s a joy to work with her, you know. I mean I’m a very selfish actor. If I can work with really good actors, my job is sliced in half, at the very least sliced in half. I mean she just comes on, she commands, and she could literally speak the phonebook and I’d listen to it.
Q. You mentioned Defiance, which I believe is getting an Academy Award run at the end of the year.
Daniel: It’s getting a quick limited release on something like the 31st of December.
Q. Could you talk a little bit about your role in that film and what was it like working with Ed Zwick?
Daniel: Great, Ed sort of presented me the script. It’s a story, a very little known story set in Belarus during the second World War about four brothers who organize a resistance really against the German army but also against sort of the local population who are siding with the German army, and there’s a forest which is around Belarus, Lithuania which just goes on for miles and miles and miles and it’s still impenetrable today. And they went in there, and they sort of committed acts of revenge, and then, formed a society and survived four years and got 1500 people out of the forest, created schools, synagogues, factories, organized with the Russian partisans and it’s just a good story. He showed it to me and I said, “Yes, thank you, I’ll get involved with that.”
Q. Who do you play?
Daniel: One of the brothers.
Q. With subject matter like that, did you do a lot of research to prepare and was your process a little different?
Daniel: Not really, no. I treat everything just about the same. If there’s research to be done, I’ll do it, but if there’s not research to be done, then you know, I’m off to the pub. (laughs)
Q. What do you think Tom Ford’s suits brought to the look of Bond?
Daniel: He’s a very classical modern tailor, you know, I mean I can’t talk about tailoring, I don’t know a great deal about it, but I know when you put on a good suit, that it feels good. And there was something about the line he created, that I think sort of just, I think it fits with this Bond, I just personally do. And you know, he works in a very classical way, but there’s always a twist and it’s kind of nice, a nice subtle twist. They’re not kind of flourishes.
Q. And it’s fun to destroy all of them?
Daniel: It’s a shame, it’s a sadness really. Thank you.

“Quantum of Solace” opens in theaters on November 14th.
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TWILIGHT is an action-packed, modern day love story between a vampire and a human. Bella Swan (Kristen Stewart) has always been a little bit different, never caring about fitting in with the trendy girls at her Phoenix high school. When her mother remarries and sends Bella to live with her father in the rainy little town of Forks, Washington, she doesn’t expect much of anything to chan…
| Twilight | |
|---|---|
Final theatrical release poster |
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| Directed by | Catherine Hardwicke |
| Produced by | Mark Morgan Greg Mooradian Wyck Godfrey |
| Written by | Stephenie Meyer (novel) Melissa Rosenberg (screenplay) |
| Starring | Kristen Stewart Robert Pattinson |
| Music by | Carter Burwell |
| Cinematography | Elliot Davis |
| Editing by | Nancy Richardson |
| Distributed by | Summit Entertainment Entertainment One Ltd. (UK)[1] |
| Release date(s) | November 21, 2008 (USA, CAN) December 11, 2008 (AUS) December 19, 2008 (UK) |
| Running time | 120 min.[2] |
| Country | United States |
| Language | English |
| Budget | $37,000,000[3] |
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Finland - Winter 1885. Retired school teacher, Efraim Martin, lives in the village of Ylöjärvi with his wife Eva and their young maid, Emma. A secret pact with the Devil sends the unsuspecting family’s life on a sudden detour into fear. Unseen forces wreak havoc in the cottage, throwing dishes, burning documents and attacking the unsuspecting. People end up witnessing dozens of frightening supernatural events before their very eyes.
Thus begin the 16 days of haunting known in the annals of parapsychology as “The Martins and the Devil.” Crowds of curious onlookers gather to watch the strange spectacle. Some of the villagers believe in these supernatural phenomena, and others don’t. The Martins are taken to court and accused of witchcraft. When matters could not get any worse Emma falls fatally ill and the house becomes dangerous to all its inhabitants. Then a mysterious Lapp Witch appears to intervene. A dark secret is revealed - but time is running out. Efraim must save Emma before her soul is lost forever.
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From the producers of Simon Cox’s Cracking the DaVinci Code and based on Cox’s international bestseller, Illuminating Angels & Demons with an original score by Paul Hoffman, Illuminating Angels & Demons is a look at the ‘Path of Illumination’ stretching through renaissance Rome as written in Angels & Demons by Dan Brown. Galileo and Raphael guide us through the ancient streets of Rom…
| Angels and Demons | |
|---|---|
Teaser Poster |
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| Directed by | Ron Howard |
| Produced by | Brian Grazer |
| Written by | David Koepp Akiva Goldsman (screenplay) Dan Brown (novel) |
| Starring | Tom Hanks Ayelet Zurer Ewan McGregor |
| Music by | Hans Zimmer |
| Cinematography | Salvatore Totino |
| Distributed by | Columbia Pictures |
| Release date(s) | May 15, 2009 |
| Country | United States |
| Language | English |
| Preceded by | The Da Vinci Code |
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Ben (played by Will Smith) is an IRS agent who is depressed and guilt-ridden about mistakes from his past. He sets out to make amends by helping seven strangers. When he meets Emily (Rosario Dawson), a beautiful woman with a heart condition, he falls in love with her, thereby complicating his plans
| Seven Pounds | |
|---|---|
Theatrical release poster |
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| Directed by | Gabriele Muccino |
| Produced by | Todd Black Jason Blumenthal James Lassiter Will Smith Steve Tisch |
| Written by | Grant Nieporte |
| Starring | Will Smith Rosario Dawson Woody Harrelson Michael Ealy |
| Music by | Angelo Milli |
| Cinematography | Philippe Le Sourd |
| Editing by | Hughes Winborne |
| Distributed by | Columbia Pictures |
| Release date(s) | December 19, 2008 (US) |
| Country | United States |
| Language | English |
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